Review: of Montreal: "False Priest"

In 2005, Kevin Barnes and of Montreal briefly flirted with the mainstream with the release of The Sunlandic Twins.  That album got them a lot of deserved attention.  And though each album since then has garnered much more commercial success, the music has taken a decidely non-mainstream turn.  Not that that's necessarily a terrible thing.  For as unfocused and schizophrenic as 2008's Skeletal Lamping was, it wound up being one of the group's most astonishing and endearing achievements.  False Priest picks up where Lamping left off, with Barnes once again calling upon his Georgie Fruit persona for inspiration.  Though less ambitious than its predecessor, False Priest is still a deserving addition to of Montreal's already stellar catalogue of music.

Like most of Montreal openers, "I Feel Ya Strutter" starts the album off with a bang!  The piano-led, upbeat pop song showcases what is likely to be the most divisive aspect of  False Priest, Barnes' heavy-reliance on falsetto singing.  Barnes has never had the least-annoying voice in indie pop, but hearing him wail in falsetto makes his voice even that much more polarizing.  As initially off-putting as it may seem, Barnes' embrace of this new-found liberation from vocal restraints makes the music even wilder and more enjoyable than it would have otherwise been.  On "Strutter" you can practically hear him singing off his shackles, and to great effect!  The song - about Barnes' realization that he is "blessed" to be with someone - finds its antithesis in the next track, "Our Riotous Defects" - a song about the crazy ex-girlfriend.  Its spoken-word verses are not new in the world of of Montreal, and neither is its conspicuous humor.  Kevin's reminiscing of the ex in question killing his beta fish as punishment for contradicting her in front of her friends is laugh out loud hilarious!  Janelle Monae joins in on the song's coda, sounding lovely, if not underutilized.

Intra-album genre-hopping has never really been of Montreal's strong point, but on False Priest they manage to arrange an eclectic array of tunes into a relatively cohesive whole.  Whether it's the unapologetic funk of "Hydra Fancies" or the smooth R&B sounds of "Enemy Gene," there are a lot of styles to take in here.  The former song is my personal favorite on the album, featuring one of False Priest's catchiest hooks and an absolutely infectious synth solo towards the end.  "Sex Karma" is equally as endearing and likely to be the album's second single.  Solange Knowles absolutely kills it on the song's chorus, going tit for tat with Barnes' sex-crazed persona and singing such memorable lines as"You look like playground to me, playa" and "I kiss you where I shouldn't be."  Also particularly brilliant is, "Coquet Coquette" - a great choice for the first single, as its easily the album's most "normal" , least-convoluted track. It's spanish guitars and catchy bassline make for repeatedly enjoyable song.

More often than not, of Montreal sounds more at ease with upbeat tunes than the more solemn songs.  The depressing "Casualty of You" is a complete dud; not because it's unexpected and seemingly out of place on an of Montreal record, but just because it's boring and unaffective.  of Montreal's "thing" in the last 5 years has been catharsis through pop music, but "Casualty" is a prime example of how to do that entirely wrong.  Likewise, album-closer (and awesomely-titled), "You Do Mutilate?" ends the album with Barnes in the pulpit.  His spoken-word sermon about respecting your fellow-man is admirable, to be sure, but it comes off as poor interpretation of a Michael Jackson acceptance speech and is no way to end an album.

But overall, False Priest is quite an enjoyable experience.  Kevin Barnes has never been one to play it safe, and False Priest is an excellent example of this.  Therefore, like all of Montreal albums, a listener has to go into it with an open mind.  While a lot of it may seem  too outlandish upon first listen; Barnes' unbelievable ability to craft memorable hooks from the most bizarre places will eventually win over the majority his detractors.  Though the album's greatness wavers towards its end, there is very little on False Priest that isn't at least slighty awesome.  It's a welcome addition to my of Montreal collection, and something I'll certainly be listening to for months.

Key Tracks:
1. "I Feel Ya Strutter"
2. "Our Rioutous Defects"
3. "Coquet Coquette"
4. "Hydra Fancies"
5. "Like a Tourist"

7 out of 10 Stars

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7 Pop Albums No Dude Should Be Ashamed to Love

Pop music gets a bad wrap these days, and for good reason. The majority of modern pop music is just the same song, regurgitated and sprinkled with an extra layer of glitter. Click here if you don’t believe me. But there is some good stuff out there too. The problem is, your average dude’s perception of modern pop music is that it’s girly, chick music made for preteen girly-chicks; which isn’t an entirely invalid assessment. The flipside is that most dudes are also going to think that the only music out there for them is going to be the macho-man, power chord-filled (POWER!!! RAWR!!!) nonsense that gets played on modern rock stations. But hey, there’s nothing wrong with loving pop music as long as it’s good! After all, a dude who only listens to Nickelback isn’t really a dude at all. He’s just a douche.

7. Yelle: Pop-Up (2007) – Don’t think I would set out to compose a list like this without giving your manliness a little bit of a challenge. The country of France is like one big inside joke to us in the States, especially when it concerns issues of masculinity. So if you’re going to give pop music an honest shot, why not put yourself out there by listening to a little bit of French pop music. That’s right, Yelle is a French pop band with songs sung entirely in (you guessed it) French! If that alone makes you want to pop in your Staind CD and drink a Keystone, you may want to skip ahead. However, if you’re down for some inventive, catchy dance-pop, grab a copy of this album and get ready to experience something unlike anything you’ve ever heard on American radio. Definitely download: “A Cause Des Garçons”

6. Ellie Goulding: Lights (2010) – Now that we’ve left France behind, why not make a stop in the U.K. to introduce you to Ellie Goulding? Goulding is fairly well-known in her home nation for her own form of pop music, which relies heavily on dancy, club beats and better-than-average lyricism. The lyrical prowess could stem from her oft-referenced folk background, but don’t let that throw you off because Lights is a pop album through and through. So why should you, a dude amongst dudes, listen to Ellie Goulding? Simple. It’s really good. It’s what Miley Cyrus would sound like if she weren’t spoonfed ridiculous lyrics. It’s what Katy Perry would sound like if she didn’t rely on producers whose only goal is to make her sound pander to the lowest common denominator. And she’s super cute. Which is cool too. Definitely download: “Guns and Horses”
 

5. The Bird and the Bee: Ray Guns are Not Just the Future (2009) – The Bird and the Bee is a boy-girl pop duo from California whose sound is pop for sure, but also draws heavily from jazz and lounge music. Ray Guns is their sophomore album and ended up getting a respectable ranking among my Top 15 Albums of 2009. There’s a little bit for everybody here; from straight-up dance songs, to more bubblegum fare. One of the great things about this album is its diversity, so if you’re not immediately sucked into its web of awesome pop goodness, give it a few more tracks before you dismiss it entirely. Definitely download: “Ray Gun”
 

4. Fiona Apple: Extraordinary Machine (2005) – The only thing more agonizing then wait for Fiona’s 2005 masterpiece is the wait that many are enduring in anticipation of the follow-up. Why? Because Extraordinary Machine is one of the most perfect pieces of pop music to arrive in this century! Fiona may still reside in the body of a small white female, but she’s got the soul and vocal capacity of Aretha or Gloria! Listening to her pour out her heart on ballads is like witnessing a tragedy of Shakespearian gravity. At the same time, Fiona’s not one to shy away from her playful side, which she does magnificently on “Tymps” and “Not About Love.” As an artist, she arguably possesses more talent than any one else on this list, and for that alone you should listen. Definitely download: “Tymps”

 

3. Cibo Matto: Viva! La Woman (1996) – Because pop music is rarely timeless and usually only relevant during for a short period of time after its creation, the majority of the music listed here was made within the last seven years. Why then do I include Cibo Matto’s debut, which is now more than 14 years old? Because Viva! La Woman is an album that was so ahead of its time that, even now, it sounds like nothing else on this planet. Pop is only one genre to which this album could be pinned, but if you find yourself famished for trip-hop, rock, or just music about food in general, then it works well there too. That’s not to say that Cibo Matto is in any way accessible. There are very few people who will throw this album on and immediately fall in love with it. But it features some of the most creative production and unique lyrics that I’ve yet to hear in my 26 years! Cibo Matto’s approach to creating music is something that continues to perplex people to this day. If part of being a dude is being adventurous…this is about as adventurous as pop music gets! Definitely download: “Birthday Cake”

 

2. The Postal Service: Give Up (2003) – There are a few dudes out there who still hold to the tried-and-true caveman method of bagging a classy lady. However, there are also those of us who prefer to inject a little emotion into our relationships with the fairer sex. For us, The Postal Service’s one and only album serves as an excellent companion. It not only serves as this writer’s personal favorite pop album, but my top album of the last decade and of all time as well! Death Cab for Cutie’s Ben Gibbard teamed up with Dntel’s Jimmy Tamborello to create an electronic pop album that was unlike anything ever heard before, and better than any wannabe that has come since (lookin’ right at you, Owl City). At its most cliché, pop music is about love. The great thing about Give Up is that it takes love and presents it in an entirely non-clichéd way. Countless pop artists have written about a love that “looks and sounds like a movie,” but only The Postal Service has actually described the making of a home-movie in which Gibbard tries to recreate that idealistic love. I only wish I were man enough to try to pull that off! Definitely download: “The District Sleeps Alone Tonight”

 

1. Wallpaper.: Doodoo Face (2009) – For the uninitiated, Wallpaper is a pop/funk duo from Oakland, California that makes songs about partying, drinking, sex, and not paying utilities. Yes, Wallpaper takes the top spot here because unlike every other album on this list Doodoo Face seems specifically crafted for a male audience. There are songs that mention throwing up in the bathroom stall, sex with celebrities, pre-partying, and dating models; all stuff that any self-respecting dude can certainly appreciate! But beyond lyrical content, Doodoo Face also contains some of the freshest production and catchiest melodies to ever grace pop musicdom. It may take you some time to get past the heavy auto-tune, but it’s worth it. Totally worth it. Definitely download: “ddd”

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The Top 5 Songs of 2010 (So Far...)

We're officially halfway through 2010, and damn there was some good music that came out!  Here's the best of it.

5. "Infinity Guitars" by Sleigh Bells, from the album, Treats - I could throw down a lot of criticism on Sleigh Bells for their repetitive music and meaningless lyrics, but instead I choose to love every bit of the dance rock madness that they put out. "Infinity Guitars" stands tall above the rest for the last 40 seconds only. A distorted, bass-heavy breakdown that shatters all preconceived notions of what "heavy" music really is. God, I love it so much! Speakers up as loud as they can go, people! Don't half-ass this stuff!

4. " Up in the Dark" by The New Pornographers, from the album, Together - The New Pornographers have always had a pretty tight sound, but they've rarely sounded as perfect as they do on this standout track from their awesome new album. The vocal back and forth between Carl Newman and Neko Case obviously steals the show here, but the rest of the band are playing their hearts out as well. Few songs have been able to illicit such joy from me, but this one does it without missing a beat.

3. "One Touch" by LCD Soundsystem, from the album, This is Happening - James Murphy has never been one to shy away from long-ass tracks, but even an 8-minute dance song seems like he may be pushing it a bit. On paper, at least, because "One Touch" is not only one of the catchiest songs of 2010, but one of the most consistently captivating ones as well. Between the unparalleled production and the artist's engaging wordplay, there's so much to love about this song and almost nothing to hate.

2. "Flash Delirium" by MGMT, from the album, Congratulations - When I reviewed Congratulations a few months ago, I was quick to point out that it's a very difficult album to get into. After a few weeks of letting it digest, I handed it a 7/10 rating and went on my merry way, not realizing that the album wasn't yet finished with me. Since then, Congratulations has become a frontrunner for "Album of the Year" and "Flash Delirium" plays a large role in that. According to my iTunes, I've logged over 45 listens to this song in the last 3 months alone and I'm still not tired of it! If you haven't heard it at least 5 times, you're missing out There are always new things to discover.

1. "Zebra" by Beach House, from the album, Teen Dream - I first listened to Teen Dream at the beginning of the year when it released. It wasn't until several months later when I would cross paths with it again. During that second run through, this song stuck out and it hasn't left me yet. Every other song on this list is an upbeat, fun track. That really speaks a lot to what I've been into this year. The fact that "Zebra" - a methodical, passionate, ballad by any standard - takes top honors here is a testament to its brilliance. It is one of the most beautifully simple songs I've ever heard, and I'm in love with it. You should be too.

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Review: Rooney: "Eureka"

In 2003, Rooney's self-titled debut hit me at just the right time in my life.  A nineteen-year-old in the midst of my first summer back home, Rooney's songs just resonated with me in a way that very few albums ever have.  The album has remained on my rotation every summer, literally soundtracking the years' hottest months with smooth, beach-rocky goodness and eventually earned the #40 spot on my "Best of the Decade" list.  I loved everything about it.  The band's second effort, Calling the World, was a less-focused but equally entertaining album.  And so it is with a bit of sadness that must label Rooney's third LP as a complete disappointment.

Rooney's strength has always been their ability as a band to blend modern rock sounds with the older, more established sounds of the 60s and 70s.  They continue this trend on Eureka, and yet there's something missing here.  That thing is 'heart.'  I'd be lying if I said that Rooney's music never seemed a bit plastic, but here they seem to just be going through the motions.  The catchy, pop-rock is still there, but Robert Schwartzman's once-infectious, passionate vocal exclamations are long gone; replaced with vocals that sound good, sure, but far from notable.  Even his lyrical talent seems to be waning.

"Stars and Stripes" is the song on Eureka that best captures this criticism.  On the surface, it's a poppy song with tight instrumentation and decent vocals.  But Shwartzman's lyrics come off as a poor-man's version of "Lean on Me."  He sings, "It's gonna take the world to change. It's time to start helping each other.  There's nobody left to take the blame.  We're all gonna have to take it together."  Yeah, yeah, we get it; but sing it with some conviction, and maybe we'll latch on to that idea.  Even the harmonies on this song are completely uninspiring!  "Not in My House" is a pretty poor effort as well, sounding somewhere in between "War Pigs," "Icky Thump" and Fountains of Wayne.  Actually, the Fountains of Wayne comparison might not be so far off album-wise; which, by the way, is bad.

Ok, so I'm clearly not the biggest fan of Eureka, but my critique is not without a few concessions.  For starters, it's good to hear modern rock that doesn't pander to the bottom feeders of society.  Even when they come off as a less-authentic version of themselves, Rooney can be a lot of fun to listen to, or to put on at the start of a long drive.  Songs like "Don't Look at Me" or "I Can't Get Enough" seem to capture some of the magic that the band has seemingly lost over the years, which is both refreshing and encouraging.  But these are bright spots on an otherwise un-notable album.  While the band still has the talent and sound to be occasionally entertaining, they've created a lackluster record that doesn't really give me a reason to play it over any of their older stuff.  Speaking of which, it's pretty hot outside.  I may want to go throw some on!

Key Tracks:
1. "I Can't Get Enough"
2. "Only Friend"
3. "Into the Blue"
4. "Don't Look at Me"

5 out of 10 Stars

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Free Press Summerfest 2010 (Day Two)

We arrived in downtown Houston during one of the worst rainstorms I've seen in the last several months.  About half a mile down the road was the entrance to the festival; in between, several thousand gallons of water falling from the sky.  Thank god for that plastic tablecloth that we just so happened to find in the trunk of the car.  It was not only a makeshift group umbrella, but a cape, and later, a place to sit on the muddy, slick hill facing the stage in Eleanor Tinsley Park.  Today was going to be an awesome day whether the weather wanted it to be or not.  My only goal was to get a quality seat at the main stage and enjoy myself.  And I did.

Stars

Stars has been on my live band bucket list for years now, and the opportunity to see them live was just as awesome as I had always hoped!  I had read a few months back that this tour would be filled with mostly new songs, and a few old ones thrown in.  Fortunately, Stars reached deep into their catalogue of pop hits and played their best for the crowd!  "Reunion," "Elevator Love Song," "Your Ex-Lover is Dead," "Midnight Coward;" pretty much every song that any Stars fan has ever loved was played.  And guess what?  They all sound amazing!  Perfect, in fact!

Stars put on a show that was better than I could have anticipated, and from what I could tell, everyone seemed to enjoy them as well.  Their album is due out soon, so check it out when it drops.  The new songs don't sound half bad.

Slim  Thug & Bun B
Alright, so it sort of goes without saying that I'm not the biggest fan of rap music.  But having grown up in Houston, I do have a soft spot for the kind of rap that these guys put out.  And I'll be damned, Slim Thug actually has quite the stage presence, and is kind of fun to watch live!  Seeing a sea of people bounce their heads and do that one-arm, in-tempo thing (kind of like a nazi-salute bouncing up and down), is a cool sight to behold.  On the other hand though, if all you need to do to perform live as a rapper is play your entire song (WITH vocal tracks) and then rap over it, sign me up!

The Flaming Lips
No surprise here, but The Flaming Lips are straight AWESOME live!  I've said it numerous times on this blog before, but for those who may be reading for the first time, I'll reiterate: they put on the best live show you'll ever see!  Seeing the Lips live is like being at a really huge party hosted by the nicest guys on the planet!  This is the third time I've had the good fortune of seeing the band perform live, but it was the first time that I've seen them from a distance (read:  not at the front of the venue being blasted with noise).

It may have been my favorite performance that I've yet seen from them!  They sounded absolutely stunning, and even Wayne Coyne's typically grating voice wasn't all that bad!  It's been 10 years since the band last played Houston.  Welcome back guys!

Final Thoughts

Listen, Houston isn't exactly known for its music scene, so Free Press Houston has had its hands full the last two years trying to remedy that situation.  If this year's lineup is indicative of a coming trend, I welcome it with open arms.  Last year's lineup wasn't half bad, and this year's was better.  Hopefully the hardworking people that made this festival happen can make it even more solid next year!

So yeah, the music lineup wasn't all awesome, but the actual experience of Summerfest is great!  The people are absolutely wonderful (rain or shine or mud), the volunteer staff were helpful in all situations, and portapotties were widely available and, more often than not, clean.  My only concern is that the festival is quickly outgrowing the confines of Eleanor Tinsley Park and the rest of Houston may not be as receptive to such a wild, weekend party.  But this weekend was an absolute blast, and I'd like to personally thank the hundreds of people that made everything run so smoothly for all of us in attendance.

See ya' next year!

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Free Press Summerfest 2010 (Day One)

So when you live in Houston, the live music scene pretty much consists of DJ sets, awful rap, and god awful metal bands.  Today's  lineup at Summerfest had all of this, and more.  Not all of it was awful.  Some of it was.

Perseph One

We arrived at Eleanor Tinsley Park just before 5pm, so we missed a lot of the earlier bands that went on (sorry, The Eastern Sea...next year?).  I headed over to the 29-95.com stage and caught the majority of Perseph One's set.  Perseph One (like Persephone...get it?) is like a female Zach de la Rocha, but instead of rapping about social injustice, most of the lyrics I got were about girls in pumps and "dick ladders."  It wasn't half bad really, and you can listen to some of the stuff on her myspace page.

Sugar and Gold
So after that, we headed all the way across the grounds to the Dos Equis stage and checked out Sugar and Gold, a pop band from California.  Now I won't just come out and admit to loving this band, but they did have some admirable qualities.  Their songs were all pretty danceable, and some of the synth and guitar work was catchy as hell.  Lyrically, it was a little brain dead, but that helped with the vibe they were trying to give off.

I make music on the side, and while what I make doesn't sound exactly like this, it's definitely along the same lines.  So I got some good ideas from the band, and I look forward to hearing more from them in the future.  As long as they don't go all 3OH!3 on us, we should be fine.  You can purchase their latest, Get Wet! from Amazon.com.

Ra Ra Riot
Ahh...finally a band I've heard of.  I feel bad for Ra Ra Riot, because although they were one of the biggest bands on today's lineup, they went on 3 hours before the headliner and were only allowed a 30 minute set.  Seems kind of a waste to come all the way out for that.  But the band soldiered on (despite some initial sound issues) and played an awesome set.  Sadly, an emergency situation in my group forced me to miss a lot, but I was able to hear the band play "Can You Tell," which I know better as "Can You Discover?" from Discovery's LP. That was a nice touch that I really enjoyed.  The band was the best act that I saw today.  Easily.

Ra Ra Riot has a new album coming out in August apparently, so be on the look out for that one.  I'm totally psyched for it now.

Kid Sister
Shit....just absolute bullshit.

Detroit Cobras
I had heard some good buzz about this band prior to the show, so I was excited to see what they were all about.  Unfortunately Detroit Cobras are a really bad cover band, or at least they sound like one (I think they ARE an actual cover band though.  How did they get this booking?

Girl Talk
Girl Talk was headlining the festival today, and even though I'm not really a big fan of the "music," I was excited to see what their show would be like.  Watching a bunch of people fill the stage and have a dance party, separate from the giant dance party in the crowd was a cool thing to experience for all of 15 minutes.  I left early because sometimes I enjoy original music.  Note to Houston Free Press.

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Review: Uffie: "Sex Dreams and Denim Jeans"

Like most Americans, I would imagine, my first run-in with Uffie was on Justice's 2007 song, "The Party," for which she supplied all of the vocals.  In my review of ✝, I called the song "the one low point on an otherwise flawless album."  And then I forgot about Uffie.  Fast-forward to 2009 when I hear Ke$ha's "TiK ToK" and initially mistake it for Uffie.  My interest was piqued and as I started listening to Uffie's small catalog of songs, something strange happened: I actually started to like some of it.  So what we have here is one of my most bizarrely anticipated albums of 2010, and one that has been delayed for years and years.  (Hell, "Pop the Glock" was originally released in 2006!)  The result of all that waiting is Sex Dreams and Denim Jeans, an album that is certainly a letdown, but is not without its fair share of hits.

The aforementioned "Pop the Glock" starts the album on a high note.  Featuring genuinely unique production from Feadz, the song remains just as fresh as it was 4 years ago when it first appeared.  It's still one of the best songs on the album and is only topped by "ADD SUV."  The Mirwais produced song is a straight-up, mainstream club banger that not only has the best production on the album, but the catchiest hook as well.  Pharrell Williams (of The Neptunes and N.E.R.D.) adds his vocals to the song to great effect.  His rap verse is one of the coolest aspects of the song and his voice fits surprisingly well with Uffie's auto-tuned half-rapping.

"MCs Can Kiss," Sex Dream's first single (released back in January) stands out on the album due in large part to Mr. Oizo's old-school rap influenced beat.  Uffie's vocals don't hurt either though, and as it stands, her flow on this song s the most technically-impressive thing she's ever done.  The fact that she can spit out lines this quickly is a surprise because I'm so used to hearing her rap much slower (and much clumsier). "Difficult" continues this trend with another impressive performance by Uffie and yet more fantastic production.  Uffie's declaration of "Don't worry if I write rhymes...I write checks" seems like a defiant finger to the haters, saying "I may not be the best lyricist, but I'm making money."  It's an attitude that is echoed throughout the album, constantly acknowledging her (wildly apparent) flaws as an artist, and reinforcing the fact that she is - above all else - an entertainer.

However, a listener's ability to appreciate Uffie as an entertainer is going to depend heavily on their willingness to overlook her notable lack of musical talent.  She cannot sing (she almost breaks auto-tune on "First Love"), she is often incapable of rapping fluidly, her lyrics are just garbage,  and all of her best songs are often great despite her presence, not because of it.  Sex Dreams and Denim Jeans' greatest asset may not be Uffie at all, but the producers who have provided their skills here (which is not completely surprising for an Ed Banger album).  On songs where the production isn't as solid, Uffie flounders.  Take "Art of Uff," for example, which is just a showcase of Uffie's mediocre rapping skills and elementary lyricism.  With a beat this minimal, the focus is placed squarely on the artist, and she fails.  Miserably. When she tries singing on "Give it Away" or "Sex Dreams and Denim Jeans" the result is just as disastrous; possibly worse.

Unfortunately, Sex Dreams and Denim Jeans is just as mediocre as the artist that appears on the cover.  Despite truly awesome and groundbreaking songs like "Pop the Glock" or "Illusion of Love," it is hampered by others that go nowhere, say nothing, and entertain no one.  The album's pacing and momentum also suffer from its hit and miss nature, and a  great song is almost guaranteed to be followed by a bad one.  Does Uffie succeed at being entertaining?  Sure.  In fact,  I'd put some of these songs against anything that plays on mainstream American radio!  But overall, Sex Dreams and Denim Jeans leaves a lot to be desired.  Great production can only cover so many flaws, and Uffie's flaws burden an otherwise decent album.  Seriously, when you make Pharrell Williams sound like a talented rapper, something is wrong.

Key Tracks:
1. "Pop the Glock"
2. "ADD SUV" (feat. Pharrell Williams)
3. "MCs Can Kiss"
4. "Difficult"
5. "Illusion of Love" (feat. Mattie Safer)

5 out of 10 Stars

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